• History & Criticism
  • The court and the London theatres during the reign of

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    It's a shame the allegations are part of it. Runcan, Miruna. „Între zis şi... văzut – Purificare‖[Between said and… seen - Cleansed], Man. Contents: Cinderella married; Three pills in a bottle (with song of the Scissor grinder); Colum- bine in business; A modern harlequinade; The patchwork quilt; Wisdom teeth, a comedy. Students in our programs have recently completed internships with Seattle Musical Theatre, The 5th Ave Theatre (Seattle), Disneyland and Disney World.
  • History & Criticism
  • Eastern European Theatre After the Iron Curtain

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    Illustrations include: An organiza- tion chart; Location chart; Little theatre programs; and several photographs of scenes from plays given by The Dallas little theatre. Koselleck believes there are three key tasks for the metahistorian or philosopher: to identify the concepts that are either possible or necessary in characterizing history; to locate those concepts within the context of the social and political discourses and conflicts of the time period; and to critically evaluate various of these concepts for their usefulness in historical analysis.
  • History & Criticism
  • Girls for Sale: Kanyasulkam, a Play from Colonial India

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    Frank, Steven. “On ‘The Verge’ of a New Form: The Cabinet of Dr. Sure, he gets his positive review, but even that doesn't work out to his advantage. Adhered to Aristotle's principles of unity of time and space: one setting, one story, and the action was limited to 24 hours. Theme: Romance of the sea and the port of Barnstapoolc. But Sandy only comes to this realization because "Worse Things" opened her up to the idea of authenticity as a fundamental value; now she can act on that newfound wisdom in her reprise (just like in all the ancient hero myths).
  • History & Criticism
  • Cyrano de Bergerac: Edited with an Introduction, Notes, List

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    Many con- temporary playwrights are reviewed and their works analyzed. Should it have mattered that viewers preferred John F. Louis, 1981. “Robert Lowell’s Classics” Classical Association of the Middle West and South annual meeting, Houston, 1978. “The Shape of Euripides’ Phoenician Women,” Classical Association of the Middle West and South annual meeting, Iowa City, 1977. “Zeus Sôtêr Tritos and Some Triads in Aeschylus’ Oresteia,” American Philological Association annual meeting, Atlanta, 1977. “The Savior’s Fall: Dramatic Rhythm in Sophocles’ Oedipus Tyrannus,” Classical Association of the Middle West and South annual meeting, Cleveland, 1975.
  • History & Criticism
  • Playhouse Wills: 1558-1642 : An Edition of Wills by

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    John Ranken Towse. 1916 Funk 464p il $2.50 For 43 years the author was dramatic critic for the New York Evening post. Sources include journal articles, research reports, curriculum and teaching guides, conference papers, and books. Mary Stewart (Mrs Raymond Sheldon). 1922 Revell 9- 162p il $1.25 A group of easy puppet plays for children, il- lustrated by Mary B. But if Shakespeare brought to his dramatic art a historical imagination capable of reconstructing a self-consistent Roman world--and one that was distinct in significant ways from his own Elizabethan England--he was also capable of embodying in his representation of that world a perspective that amounted, in effect, to a Renaissance humanist critique of pre-Christian civilization.
  • History & Criticism
  • Henslowe's diary

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    The episodes may be produced separately; cast: 2 1 in, 21 w, young people, extras; iV^ hrs. Each play will have its own unique and distinctive behaviors, dress, and language of the characters. In the creative/critical work of Cixous, we find the history of Western thought depicted as binary oppositions: "speech/writing; Nature/Art, Nature/History, Nature/Mind, Passion/Action." Formalists believe that all information essential to the interpretation of a work must be found within the work itself; there is no need to bring in outside information about the history, politics, or society of the time, or about the author's life.
  • History & Criticism
  • CAMBRIDGE GUIDE TO AMERICAN THEATRE

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    A charming autobiography with illustrations by B. In addition, the Polish Jewish historian Ignacy Schiper contributed a massive work of scholarship on Jewish theater and entertainment in premodern times, Geshikhte fun yidisher teater-kunst un drame fun di eltste tsaytn biz 1750 (History of Jewish Theater Art and Drama from the Earliest Times until 1750; 1923–1928). Rev of Revs The same volume has been published as: Dra- inatic scene; with a foreword and an introductory poem by John Masefield.
  • History & Criticism
  • Andromache

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    II. linker 50c A morality for Easter, designed for church pres- entation with chime effects and music. Standard catalog, lit and philol sec A collection of 12 short plays and pageants written by negro authors and designed primarily for use in schools. Effie Seachrest. 1916 McNally 152p il 90c Four stories of the Greek gods. A Table de concordance precedes this collection of beautiful plates. Brustein, Robert // New Republic;4/16/1966, Vol. 154 Issue 16, p30 Reviews the play "The Caucasian Chalk Circle," written by Bertolt Brecht.
  • History & Criticism
  • Jacques Copeau (Routledge Performance Practitioners)

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    Nicholson (Stage plans and production notes) 222 Art of acting and public reading. And that’s not taking into account the dozens upon dozens of small neighborhood theaters that closed up shop. Brecht praises here the advances in collectivizing industry and agriculture and suggests that all wisdom was directed toward economic construction and "chased out of politics." Huntley Carter. 1926 Doubleday, Doran xi,15-292p il o.p.
  • History & Criticism
  • The Italian - American Immigrant Theatre of New York City,

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    Solomon Henry Clark, c 1897 Scott, Chicago xix, 479p $2.60 "Being a revision of the Rhetoric of vocal ex- pression, by William Benton Chamberlain; together with mental technique and literary interpretation." By Melvyn Stokes. (London and other cities: Bloomsbury, 2013. PRODUCTION AND STAGECRAFT 119 History of costume design. Pageantry, Re- ligious Drama and Entertainment; and IV. Cyril William Beaumont. 1921 Beaumont iv,6p il (front 8 col pi) o.p. "Incluffing a portrait by Glyn Philpot and eight full page hand-coloured illustrations, two decora- tions and cover design by Vera Petrovna, together with an appreciation by Cyril \V.